pISSN: 2287-1667

통일사상연구, Vol.12 (2017)
pp.51~80

포스트모더니즘을 통한 새로운 예술론 연구

이강일

(세한대학교 교수)

모더니즘은 가치중립이고 합리주의와 경험주의에 바탕을 둔 계몽사상을 계승 한 서구 근대 이성중심의 철학이다. 포스트모더니즘은 인간을 중심한 다양한 가 치수용이 특징이며 서구 이성중심의 합리적이고 과학적인 방법에 문제점을 지적 하고 해체하고자 하며 감성영역에 기대를 건다. 그러나 포스트모더니즘의 많은 철학사적 의의에도 자체가 만들어 놓은 또 다른 문제점의 한계에 봉착하고 있다. 이 논문에서 극복논리는 보편과 개별의 통합, 주 류와 비주류의 통합, 이성과 감성의 통합에 의해서 이루어짐을 설명하고 있다. 특 히 포스트모더니즘의 예술론은 비동일성, 무목적성, 숭고미학, 감각의 논리 등은 모두 감성언어에 의존하고 있음을 알 수 있다. 이러한 감성언어의 바탕에는 예술 을 통해서 새로운 탈출구를 모색하고자 하는 그들의 의도가 숨겨져 있다. 새로운 예술론은 포스트모더니즘이 간과하고 있는 목적성(방향성)에 바탕을 두어야 한다. 목적성이 없는 미학은 불가능하며, 이것은 예술철학인 미학을 바탕 으로 한 창조행위를 진정한 예술이라고 하기 때문이다. 새로운 예술론은 올바른 창조원리와 구조를 바탕으로 성립하기 때문에 예술은 포스트모더니즘이 찾고자 한 기존의 이성중심의 사고를 해체한 결과에서 출발하여 예술의 구조를 통해서 새로운 패러다임을 찾는 연구이다.

A Study on New Theories of Art as a View of Postmodernism

Lee, Kang Il

Modernism is the western modern reason-centered philosophy which adopted value-neutral Enlightenment based on rationalism and empiricism. But the main character of postmodernism is to accept human- centered various values, in attempt to criticize and deconstruct problems with western reason-centered rational and scientific methods, having expectations for the emotional domains. Postmodernism promoted methodology about overcoming reason- centered limits after the 21st century. The academic school continued to have expectations on emotion. In this regard, the purpose of this research study is to consider theories of art through purposes and values of emotion that postmodernism attempted to pursue, placing the significance on seeking new paradigms through theories of art that has inseparable relations with emotional structures. The character of postmodernism means ex-modernism. Ex-modernism was obliged to create a novel massive-discourse based on the possibility of emotion that had relatively been disregarded, after reason-centered massive-discourse came to an end that had, so far, been dealt with. However, it is not easy to create a new massive-discourse because this is possible only when there is a change in general paradigms. Yet, it is considered that postmodernism can overcome its limits through the integration with universal and individual, mainstream and non-mainstream, reason and emotion. And it is identified that all theories of art accommodating nonidentity, purposeless-purposiveness, sublime aesthetics, emotional logic pursued by postmodernism depend on emotional languages. Thus in emotional languages lies the intention to find new ways through arts. The new artistic theory should be based on the objectivity(directionality) that postmodernism overlooks, because aesthetics without purposiveness is impossible, and creation act built on aesthetics as an art philosophy is worth to be called true art. Given that new theories of art are applied on the basis of right principles and structures of creation, this study is to seek new paradigms through art structures, starting from the outcome of the constructivism of the existing reason-centered paradigms supported by postmodernism. In this context, this research study means to provide the new possibility of art theories through the integration of multi-discourses in the process of constructing the existing reason-centered paradigms of multi-discourse to establish the accurate concepts of art. To do it, this study is going to present the structures that reason and emotion intend to integrate, asserting that post-constructivism pursing new ideas must find a clue through theories. of art. The nature of art lies in creation, and art, fundamentally, promotes aesthetics. It can, thus, be found that, since aesthetics promotes purposive directions and purposes within the emotional domains, art exists by constructing the outcomes of the established paradigms through new art structures, where postmodernism intended to pursue.

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